Voguing in Dallas

February 2, 2012

Update (Feb. 2, 2012): ProQuest is offering a free trial period to its full Vogue Archive (1892–2012) from February 2 through February 16. Sign up here.

Ann Arbor–based electronic publisher ProQuest held a special event in Dallas January 22 to introduce its customers to a new digital product launched in December—an archival set of Vogue magazine consisting of more than 400,000 pristine, full-color pages from 1892 to the present that includes all covers, images, ads, and fold-outs. Each issue is fully indexed with metadata identifying fabrics, models, designers, garment types, and advertisers, making it a veritable treasure trove of visual images of interest to cultural historians and students of the fashion industry.

ProQuest representative Beth Dempsey told American Libraries that sales of the Vogue Archive have been vigorous. An engineering library even purchased the set because the engineers were interested in seeing what fabric components were used in clothing over time.

Keynote speaker of the evening was Ivan Shaw, Vogue’s director of photography since 1999, who presented slides of some of the magazine’s most famous covers and images. “Vogue is not just a photography-driven fashion magazine,” Shaw said. “It’s a historical archive of the 20th and 21st centuries, a cultural mirror of art, entertainment, literature, politics, women’s issues, and current events.”

Shaw told American Libraries that his favorite project was a 23-page “Alice in Wonderland” photo shoot in the December 2003 issue done by Annie Leibovitz with model Natalia Vodianova as Alice. “It was a perfect marriage of portraiture and fashion,” Shaw said, “done during a period when we were at a creative peak. Everyone got involved in the shoot, including such top fashion designers as Jean Paul Gaultier, Karl Lagerfeld, and Donatella Versace.”

According to project manager Matt Dellinger, the scanning was done by business services firm Apex CoVantage, which created 400-dpi images from Vogue’s own archival issues using flatbed scanners. New issues of the magazine will be added to the Vogue Archive within one week of publication.

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17h

Genevieve Trainor writes: “The Guinness World Record holder for Most Prolific Book Thief is Ottumwa (Iowa’s) Stephen Blumberg. The 23,600 volumes he accumulated between the 1970s and his arrest in March of 1990 were all stashed in his 17-room home. Creighton University in Omaha, Nebraska, got involved with Blumberg as part of the FBI’s efforts to return the stolen manuscripts and rare books to their museums and libraries. Referred to as the Omaha Project, the information science proving ground involved four weeks, 44 catalogers and reference librarians and 600 volunteer hours to determine who might be the rightful owners.”

Little Village (Dubuque, Iowa), Dec. 4
21h

Casey Newton writes: “At the moment, no one knows for sure whether the large language models that are now under development will achieve superintelligence and transform the world. And in that uncertainty, two primary camps of criticism have emerged. The first camp, which I associate with the external critics, holds that artificial intelligence (AI) is fake and sucks. The second camp, which I associate more with the internal critics, believes that AI is real and dangerous. Today I want to lay out why I believe AI is real and dangerous.”

Platformer, Dec. 5
2d

Latia Ward writes: “One way to keep current with what students think of the library and its services is through Student Library Advisory Committee meetings. These meetings are a way to gather feedback and reinforce the library as a welcoming place. How do librarians create a welcoming environment within Student Library Advisory Committee meetings? Librarians create a welcoming environment through community, purpose, and dedicated space.” Also see part 1 of this blog post.

RIPS Law Librarian Blog, Nov. 13, Dec. 5
2d

Eleanor Hecks writes: “Few things are as frustrating to a user as when a site won’t respond. Unfortunately, it’s also an all-too-common scenario. Graceful degradation is a design approach that ensures the basics of a website will still function even if specific individual parts of it stop working. The approach removes single points of failure: just because one thing stops working doesn’t mean the system as a whole fails. A site following this principle fails in pieces instead of all at once, so the most important features remain available when some components encounter an error.”

Smashing Magazine, Dec. 6
3d

Camruinn Morgan-Rumsey and Lexi Lepof write: “On December 3, Knox County (Tenn.) schools received a list from the district of books to be removed from school libraries under Tennessee’s Age-Appropriate Materials Act. Knox County’s board of education voted in July, passing a policy to remove ‘explicit’ books from everyday student access in response to the new law. Some of the books on the list of nearly 50 titles might surprise parents. Among those to be removed are Shel Silverstein’s A Light in the Attic and Kurt Vonnegut’s Slaughterhouse-Five.”

WVLT-TV (Knoxville, Tenn.), Dec. 4
3d

Joe Foley writes: “Copyright rules vary from country to country and have changed over time. In the US, works created between 1929 and 1963 that gave notice and renewed copyright have 95 years from their first publication date. That means that on January 1, 2025, a host of works from 1929 will enter the public domain. This means that copyright will expire on Buck Rogers, Captain Easy, Horace Horsecollar, Tintin, Hal Foster’s first Tarzan comic strips and, yes, Popeye.” Other notable works entering public domain in the United States include the Marx Brothers’ first film, The Cocoanuts, contralto Marian Anderson’s first record, and Ernest Hemingway’s A Farewell to Arms.

Creative Bloq, Dec. 7; Everybody’s Libraries, Dec. 3, Dec. 7; Public Domain Review, Dec. 10
4d

Brittany Adams writes: “The digital landscape of libraries is expanding rapidly, with an increasing shift towards electronic resources and online services. As members of the library community, we’re witnessing a transformative era where physical collections are complemented—and sometimes replaced—by digital ones. This transition offers new opportunities for enhancing accessibility and engagement, but it also presents challenges, especially for young patrons and their families. It is essential to equip children and their caregivers with the tools and knowledge they need to navigate this evolving space confidently.”

ALSC Blog, Dec. 9

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Voguing in Dallas

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