copyright Archives | Page 3 of 3 | American Libraries Magazine

Sci-Hub: What It Is and Why It Matters

By Marcus Banks | May 31, 2016

Journal publisher Elsevier, which claimed it was losing hundreds to thousands of dollars for each of its articles pirated on the site, sued to have it shut down. For these reasons, Judge Robert W. Sweet of the Southern District of New York ordered Sci-Hub.org to cease operations in October 2015. But that’s not the end … Continue reading Sci-Hub: What It Is and Why It Matters →

Internet Policy Task Force Notes Library Copyright Concerns

By Carrie Russell | February 5, 2016

The task force consists of Commerce representatives from the National Telecommunications and Information Administration, the Patent and Trademark Office, the National Institute of Standards and Technology, and the International Trade Administration. Formed in 2010 to “conduct a comprehensive review of the nexus between privacy policy, copyright, global free flow of information, cybersecurity, and innovation in … Continue reading Internet Policy Task Force Notes Library Copyright Concerns →

I’m Bullish about Copyright Policy for Libraries and I’m Not Crazy

By Alan S. Inouye | November 16, 2015

The stimulus for this piece, however, is the copyright policy conference on November 17 hosted by the Re:Create Coalition. You may recall that the American Library Association (ALA) is a founding member of this new coalition that was born in spring 2015, which includes a range of important, influential, and ideologically diverse players such as the Consumer Technology … Continue reading I’m Bullish about Copyright Policy for Libraries and I’m Not Crazy →

Films offered by Digitalia Film Library (left, center) and India for Everyone (right).

Libraries Go to the Movies

By Phil Morehart | September 22, 2015

Digitalia Film Library The Digitalia Film Library, a division of Spanish-language e-content provider Digitalia Publishing, allows libraries to bring the world of cinema to their patrons. Digitalia offers contemporary and classic fiction and nonfiction films, documentary programming, animation, and television shows from Argentina, Brazil, Cuba, France, Mexico, Spain, and the US that can be accessed … Continue reading Libraries Go to the Movies →

Screening Legally

By Kati Irons | February 16, 2015

Film programming can seem more complicated than other kinds of programming. How do you choose films to show? What equipment should you use? How do you market your programs? Where do you begin? The most challenging part—but in many ways the most important—is to make sure you are in compliance with the law relating to … Continue reading Screening Legally →

E-Content and First Sale

By Joseph Sanchez | July 14, 2014

Music is the best market for forecasting potential trends. We can confidently assume that the last physical format for music, the CD, is in its twilight stage—soon to be replaced entirely by digital formats and niche markets like LPs. Starting in the late 1990s, the music industry experienced a downward sales curve that continued until … Continue reading E-Content and First Sale →

How the Marrakesh Treaty Opens Vistas for Print-Disabled Readers

By Jonathan Band | September 10, 2013

As the first treaty devoted to copyright exceptions, the June 28, 2013, agreement represents a significant development in international copyright law. (The 1886 Berne Convention contains exceptions for quotations, illustration in teaching, and news reporting.) ALA worked closely with the US delegation throughout the negotiating process. Through the Library Copyright Alliance, ALA’s views were represented … Continue reading How the Marrakesh Treaty Opens Vistas for Print-Disabled Readers →

Latest Library Links

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Clare Starkey, Haley Lykins, and Kelli Hansen write: “In the spring of 2024, Special Collections at the University of Missouri [in Columbia] hosted a series of field trips for every sixth grader in the local public school district, more than 1,300 students. This workshop gave students a chance to experience ancient writing technologies from across Africa and Asia while interacting with primary sources, to complement the school curriculum on ancient Mesopotamia, Egypt, India, and China. This post will cover the advantages and pitfalls of hands-on teaching on a large scale, and strategies to make the most of a shoestring budget and a small staff.”

TPS Collective, Jan. 2
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Bianca Schweighofer and Julia Bartlewski write: “The transition to open access has increased the visibility of scholarly work, but understanding and managing publication costs remains complex. Shifting from subscription-based to fee-based or institution-financed models fundamentally changes processes, financial flows, and the roles of stakeholders. Additionally, the lack of cost transparency from publishers poses significant challenges for institutions and researchers, who often face hidden or unclear fees, making budgeting and financial planning more complicated. Our project, openCost, addresses this issue head-on.”

Katina, Dec. 18
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Elizabeth Kaye Cook and Melanie Jennings write: “Literary fiction is dead. Or, so we’ve been told. It’s convenient to assume that readers are to blame for killing literary fiction. But what has actually occurred is death by committee. Mirroring many other American industries, publishing has followed the path of consolidation, starting when Random House bought Knopf in 1960. The result is a monopsony, a market dominated by only a few buyers. Publishing houses used to have blood feuds, much to the benefit of literature writ large. But monopolies are always sedate, always predictable.”

Persuasion, Dec. 19
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Becky Spratford writes: “I have a goal I think all of us need to consider adding to our 2025 to-do lists. We are terrible at communicating what we do and why we are important. People outside the library world do not understand how important our work is. I want you to start speaking out about how great we are before people try to attack you. I want you to do it in 2025 but then keep doing it, on a regular basis going forward.”

RA for All, Dec. 23
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Annmarie Timmins writes: “Gov. Chris Sununu withdrew his choice for state librarian over concerns about the nominee’s public opposition to book censorship. In arguing against library restrictions, nominee Mindy Atwood was advocating a mainstream position held by many in her field, including the New Hampshire Library Association and American Library Association. The governor’s reversal demonstrates just how perilously divisive that stance has become for some conservative and religious groups. [Incoming Governor] Kelly Ayotte is likely to face similar pressures to choose someone who can earn the support of the Republican-led Executive Council.”

New Hampshire Public Radio, Dec. 17
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Robin Camille Davis writes: “So you want to hear from real people who use your library! There are many user research methods to choose from. Interviews let you get at the why and the how, not just the what. You could easily use surveys to ask a large number of your users which library services they use. But only an interview can tell you why your patrons seem to use virtual references services often but never the in-person information desk.”

Choice 360 LibTech Insights, Jan. 6
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Katherine Knox writes: “Linked data is a system of organizing information with the goal of making it easier to share and find new information, something which is very appealing to libraries. But methodologies for cataloging library materials are very slow to change. Converting libraries to a linked data system is complicated. Catalogers typically don’t have the capacity, authority, or software to test out new cataloging methods. Not all integrated library service discovery platforms used by public libraries have incorporated linked data into their search results. Nevertheless, libraries around the world are converting to linked data, especially archival repositories.”

Public Libraries Online, Jan. 6

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